«Hozro» review on Aural Aggravation
17th August 2020 – Submarine Broadcasting Co
According to the blurbage (I can’t claim to spend all that much time on research when my primary objective is to report a critical and sometimes emotional response to a release, and band and PR invest a lot of time in their explications, so why not?) ‘Hozro’, is a native American Dineh word that means living being conscious about the beauty, the magic and the mystery of the universe to which we belong.
I’ve been struggling to find much hozro myself in recent months, confined to a diminished space, rarely seeing or speaking to anyone outside my immediate household and inundated with reports of the shitshow that is western governments, so ,maybe I need this album right now.
Iyari describes it as post-rock, but threatens elements of folk and traditional music, avant garde and electronica, as performed by him and a while slew of guest musician, who all contribute
‘Eloher’, the first composition, is but an introduction, a path that leads the listener toward the body of sound that lies ahead, and it’s a wide-ranging and eclectic set, of which the title rack is representative. There’s a certain restraint in the echo-soaked lead guitar line that rings out over a low-key but insistent sting-damped strum.
Is it just me that instantly connects reverb and atmosphere? Is it the musical equivalent of an autosuggestive word association? Maybe, but Hozro brings all the atmosphere with its sparse arrangements.
There’s a magnificently moving vocal on ‘The Great Spirit’, and while it soars and quavers most movingly, there are undercurrents that intimate ancient folk traditions, and one suspects its this that taps into a deeper level of the psyche than the surface of the singing or the tune itself. ‘Islay’ may or may not be a musical homage to the Scottish island which is home to distillers of the finest single malts going, because Hozro is a pancultural melting-pot, and moreover, one which actually infuses the elements effortlessly. ‘Land of the Silver Shadows’ stands out, not by virtue of its difference, but the fact it encapsulates every magnificently understated aspect of the album within a softly-ripping six minutes.
Iyari clearly grasps the idea that less is more, and in bringing the volume and the detail and the level of demand on the listener down, Hozro brings more – much more, making it one to explore.
Article here: https://auralaggravation.com/2020/08/25/iyari-hozro/